Cameras flash and the fashion world applauds while eating cheese straws and drinking Lanson champagne. These are the British Fashion Awards – the Oscars of the designer rag trade.

It is all taking place in the tented world of the Duke of York’s barracks. The audience wears black and glitter and off-the-shoulder creations and looks as if it could swap places with the catwalk folk. And then there are the proper models, the 34-22-34 ones who say they won’t get out of bed for less than $10,000 and earn up to £1,000 a minute, eclipsing their designer bosses. Naomi Campbell, Helena Christiansen, Tatjana Patiz and Linda Evangelista to be precise. This evening they appear swan-like, sometimes carrying poodles. Without them, any show would lack lustre.

At 10.30 the master of ceremonies announces: ‘Ladies and gentlemen, please stand.’ Is this for Naomi, the woman they say expects to be treated like royalty? No . . . it’s Princess Michael of Kent, wearing a glamorous nun’s habit of non-English design.

Vivienne Westwood has won the British Designer of the Year title for the second year running. ‘I want to say thank you to these models, who are worth every penny,’ she says.

The women with pouting lips are seated. Their fees have quadrupled in as many years and they expect to be flown first-class while sales of clothes are falling in these recession-hit times.

Is it true models don’t speak, have no way of projecting their personalities and push lettuce leaves around their plates? And will Helena Christiansen demand a smorgasbord?

A cassoulet of wild mushrooms and asparagus appears. Linda Evangelista, with pimento hair, lights up a Marlboro. And the divine Vivienne Westwood, in a dress printed with Fragonard cherubs, tells me the girls are super. ‘Naomi is charming,’ she says. ‘They’re all professionals, always on time, not prima donnas. They’ve got a marvellous theatrical sense. It costs £5,000 to advertise in a glossy magazine, but with a show you get all this free publicity. When I saw Linda wearing my pink, my heart was beating. To see your clothes on this dream, this dishiest of dishes . . . but if I saw any of them in jeans, I wouldn’t think them that great.’

Princess Michael holds court, later on little clusters of beau monde gather around her. Many of the models weren’t keen on meeting the Royal. ‘Just not interested. They wanted to go back to their hotel,’ said one of their entourage.

Boy George whirls around. His comment? ‘Beauty fades, but talent lives on.’

I meet a supermodel in a Rifat dress. Naomi Campbell, serene and incandescently beautiful, is enjoying a successful evening and a cigarette. Nearby Linda Evangelista looks bored. She smokes cigarettes. When you look like that, you don’t have to do anything. She thaws. ‘I came as a favour for British Vogue and to support British designers. My services were free,’ she tells me. ‘”And what is she wearing? She gives the frostiest of frosty looks. ‘Armani’.

It’s 12.30. People are starting to leave. — And, suddenly, the supermodels have gone. Do they need beauty sleep?

Next to the ‘door bell is a sticker bearing the legend: ‘Make his day. Break in.’ On it is a picture of a pit bull terrier, stocky and muscular with a steel-trap jaw.

So why would anyone want an American pit bull terrier-or APBT, as the new Sporting Dog periodical would have it?

There are an estimated 10,000 APBTs in England, of whom 1000 reside in Dave and Maria Britons’ borough of Waltham Forest, an area where youths walk in the park: one with an APBT, another with a rottweiler. With its killer instinct, the APBT is a loaded weapon.

Dave and Maria, 36 and 35, live in a terrace house in Walthamstow on a short stretch of road that houses no less than one dobermann, a Yorkshire terrier and 13 APBTs. Of these, 11, including nine puppies, are in the Britons’ 20-ish ft paved garden.

They have a one-bedroom flat on a heavy traffic road. They have lived in it for two years-with exposed plaster work and unfinished floor in the microwave-only kitchen. There’s a picture in the hall of a hand carrying a spearhead, blood trickling down-and in the sitting room, ones of fierce-looking tigers’ heads. In the bathroom, the Sunday article is open at The Hiss of Death. There is an uncomfortable atmosphere of violence restrained.

The dogs, Nash and Misty, don’t even bark when we arrive. They wag their tails. They show no sign of aggression. In fact, they are rather placid. And in the garden the five-week-old puppies frolic, squealing and squeaking. One chews my foot, another my handbag.

‘The vet’s always saying how gentle they are,’ says Maria, in black leggings, wine T-shirt and long brown hair. She has a face that looks as if it has experienced the rougher side of life and a character that fluctuates between being meek and showing a very hard edge. ‘It’s sad people are so nasty about them. They’re such lovable things,’ she says, passing them a tray of rice, egg and biscuit.

Maria is a housewife who says she doesn’t do a lot. Like her husband, she left school at 16. ‘I generally take the dogs out for a couple of hours a day.’ She says she only bred so her bitch would put on weight. But she hopes to sell them for upwards of £300 each.

‘They’re good with everyone, particularly children, very good guards, obedient, very affectionate,’ says Dave, showing me bookplates of one with a parrot and one pulling a baby in a cart.

He’s rough-spoken, bullish and thickset, wearing a tracksuit that he has worn to mend a friend’s car, and long hair. He’s clearly very strong. ‘Currently unemployed, and looking for business premises,’ he says, adding that he’s a motor mechanic when ‘working. They live on the dole, claiming (between them) £124 every two weeks.

They don’t have any children. ‘I have no intention of having any, either,’ says Maria. ‘The dogs are my kids.’ He, too, is mad on the creatures. Ask him to describe his lifestyle, and he says: ‘My dogs . . . when I get home I’ll walk them or play with them in the yard.’ He goes to the club for APBTs and other sporting dogs which started in Basildon six weeks ago. Operating alternate Thursdays, it offers events like ‘flirt pole variations’ and ‘weight pulling’-in which a 70 lb dog pulled 5151 lb harnessed to it. They sell T-shirts which read PITBULL, where P is for protective, I for intelligent, then tasteful, boisterous, unspoilt, loving and lively.

When Dave’s ‘not with the dogs, he’ll ‘shoot off to see some mates or go down the betting shop’. He’ll bet on anything, he laughs-except dog fighting. Nor would he fight his dogs. ‘If they get hurt, I get hurt.’ He says they’re part of the family.

‘My dogs have never bitten anyone and they’re never likely to. Only about .001 per cent of the 9000 registered dogs have ever attacked people. And a dog will only attack if it feels threatened, annoyed, protecting its own territory or jealous.’

But what about the case of the mutilated six-year-old, Rucksana Khan? ‘Sad,’ says Maria.

‘But we don’t know the full circumstances,’ says Dave. ‘You never hear both sides of the story as to why the dog attacked.’

Maria thinks it’s untenable that the RSPCA should suggest treating the animals in law as wild. ‘It’s disgusting because they are our pets!’ And what do they think of the MP’s suggestion that the dogs should be neutered and imports banned? ‘Well,’ says Dave, ‘I think MPs should be neutered.’

Originally the Britons had a German shepherd-which didn’t stop them being burgled. So two years ago they decided on an APBT. ‘We’re living in a high risk area with lots of muggings. When my wife goes out in the evening with her friends, I don’t want her walking around the streets with nothing on her arm.’

When he goes walking, he carries a breaking stick-a long piece of wood ‘with which I can open their jaws in a flash’. So there must be just a hint of a thought in his head that the dogs could attack? ‘Oh no, no, no. It’s just a precaution we take.’ And one that he’s been taking for the last two years. As he says, these dogs do have five times more power in their jaws than rottweilers.

Dave decided to let his dog breed. ‘So it doesn’t get possessive about its owners. A nasty streak can come out in them otherwise. If a dog hasn’t had a litter, it’ll show a lot more aggression to people,’ he says, letting his bull defence down for a minute.

He shows me their leather harnesses. ‘No princess, no darling,’ says Maria, as she picks up the brass-decorated leather, £35. ‘You can get them with spikes all over. And you can pick the dog up with it,’ he says, lifting the creature in the air.

He also has a leather arm protector. ‘To play with them.’ Like a piece of leather armour, it also has sackcloth over the hand (£120). And then there’s the treadmill (£250), which is like something for a giant hamster. ‘For walking the dogs when it’s raining. They love it.’

Once he had a visit from the council’s animal wardens. ‘They said they’d seen us hanging the dogs from the first-floor window. I thought: ‘That’s a bit strange since we live on the ground floor!’ The thing is, the dog was tugging on a piece of rope-and all they could see was the top of the head and a rope.’

And has he ever been in fights? ‘Years ago.’ His voice goes quiet. ‘Three or four years ago.’ That was when he worked as a doorman in clubs. He did that after he ran a security service company.

And has he ever been the wrong side of the law? He’s standing up now, towering above my seated position. ‘Er, yes.’ For what? ‘Well, if you read a book by James Campbell there’s a chapter in there called The Professional-concerning a robbery case I was involved in. I got eight-and-a-half years. That was in 1978 when I was 23. I was tying up the chairman of the Walthamstow Building Society and took some jewels that were given to him by Mountbatten. I lost all my remission.

‘But that’s years ago. I’m not anti-police. The police have got a job to do. I’ve had no trouble from the police concerning my dogs.’

‘CHESS’ proclaims the huge banner outside the drab one-time cinema that is now the Playhouse theatre in Edinburgh. Scarcely noticeable beneath it, a small strip reads ‘Rudolph Nureyev’.

The audience file in, looking as if they were going to the local bistro, no one particularly glammed up for the occasion.

Inside, an usher gives me-and every other woman in the front stalls-a pink rose, to throw on stage at the end of the performance. An adolescent girl in jeans and T-shirt (no pearls and fur coats here) asks her companion: ‘Where’s the orchestra?’ There isn’t one. For the £30.75 ticket and £6 programme you get pre-recorded music, on a diabolical system. The performance is billed as part of the 16-stop Nureyev Farewell Tour, the road show which reaches Wembley Conference Centre on Friday. But what we are witnessing tonight is the pathos of The Long Goodbye, the tragedy of a legend who cannot let the final curtain fall.

Has it really come to this? Inexorably, the man who enthralled millions around the world is joining the ranks of those who destroy their own mystique. The Maria Callas, Sarah Bernhardt, Frank Sinatra and Ella Fitzgerald Club.

The first time I ever saw Nureyev, he was in the Russian Orthodox Church in Kensington. The incense burned, people chanted gloriously and he paraded in an ankle-grazing sable coat. He had that distinctive haughty tread and trademark cap pulled over his thick brows and dark eyes.

This was the international superstar incarnate; defiant, handsome, magisterial, proud, temperamental. And now here he was playing in a provincial theatre in Edinburgh. It was a bleak, undecorative and charmless affair.

In Sunderland, on the opening of the tour five days ago, 50 fans demanded their money back. His performance at Liverpool was described by critics as lacklustre. ‘Nureyev leaves them shouting for less,’ said the headlines. Here in Edinburgh, there were 700 tickets still on sale the night before. During the performance, there are rows of empty seats at the front. But where is Nureyev? Ah, yes. He comes on just before the interval. He does no solos and after a little exertion in The Lesson, the fiery Tartar sits breathless. Sweat pours off him. He is in constant pain and virtually disabled by a calcium spur on his heel. He’s 53 years old and for more than 20 years has performed a near-masochistic 250 performances a year. His body has grown weary, his stamina nigh gone.

Tonight he is no longer playing virtuoso roles, but ones which depend on dramatic presence. Imperiously, he milks the audience for applause and to be fair he still has a fading sexual charisma and compelling stage presence, but it is based on an association with the glorious past, not the now. What he is now doing is really low grade theatre. The soundtrack crackles dismally out of the PA, ugly great speakers set to the fore of a space that has no stage set and no design to relieve it. It is as alluring as a school hall on a Sunday night at midnight. The whole evening grows artistically like . . . like . . . well, like something thrown together by the promoters for the sole purpose of spinning a fast buck.

So there we sit with our pink roses. If they are meant to be thrown to the maestro, nobody does.

So why does he do it? Not for money, ambition or fame. ‘I am a dancer. I am a dancer. Maybe I am the dancer,’ he once said. There is a demon inside him. He is simply a man obsessed; one consumed by a passion; one for whom dancing is the focus of life.

He is also a man who has always fought against critics, competitors, his own muscles and even gravity. He is a warrior who has the will to fight-even when he is losing. He won’t give in to loneliness, old age or infirmity. At the end of the evening, the audience dutifully claps. But there is none of the foot-stamping or whistling that denotes serious approval. A girl in the stalls calls ‘Bravo!’ Nureyev’s eyes light up as he hears it, the single voice in the dark. A lone cheer that is of little cheer. Where is the retinue of yesteryear? The fans straining at the police cordons? The autograph hunters? Gone are the nights of 89 curtain calls. As the performance ends, those watching file out. Many leave before the applause is through.

The dancers’ hero bids farewell DANCERS lost their most formidable champion last night when Wayne Eagling gave his final performance for the Royal Ballet at Covent Garden. Flowers cascaded from the balcony, and bouquets materialised from both sides of the stage, as he blew a departing kiss to the cheering audience and turned to snap the assembled company behind him for his family album. His talents as dancer, choreographer and fighter for dancers’ rights were generously acknowledged by Mr Jeremy Isaacs, the general director of the Royal Opera House, who found him a testing adversary during the dancers’ strike in 1989.

‘He steadfastly championed the cause of dancers in debate and dispute with management,’ said Mr Isaacs.

‘He has fought hard for them and in spite of the spats and recriminations, he is widely respected for his experience, flair and powers of leadership.’

As a dancer, Mr Isaacs continued, Eagling ‘had a formidable technique, a handsome presence, and masculine vitality. He played every prince that ever was’.

For Eagling, who moves to Amsterdam in August to take up directorship of the Dutch National Ballet, his farewell was not an occasion to rake over old coals. ‘I told my mother that I would not say anything controversial,’ he joked.

He said: ‘I have a very warm place in my heart for this building and this House. I hope it remains one of the best in the world-along with the Dutch National.

‘After 25 years with the Royal Ballet-22 with the company and three in the school, which I hated-I’ve a lot of memories. I will miss everyone that’s around.’

He paid tribute to a long list of inspirational dancers-Rudolf Nureyev and Royal Ballet Director Anthony Dowell among them-and to choreographers like Kenneth MacMillan and Frederick Ashton.

* THE BBC is joining with the Royal Opera House, the Kirov Theatre, the Opera de Bastille and other organisations to show a new production of Prokofiev’s War and Peace by British producer Graham Vick at the Kirov this summer. Viewers will be able to see the production, which marks the centenary of the composer’s birth, relayed live from Leningrad on 14 July.